Re: Urushi on fountain pens
This is the best visual process of urushi I've seen. It certainly explains why the work is so treasured.
Fantastic.
Re: Urushi on fountain pens
OMG, thank you. I'll try not to disappoint with following videos.
Quote:
Originally Posted by
sgphoto
This is the best visual process of urushi I've seen. It certainly explains why the work is so treasured.
Fantastic.
Re: Urushi on fountain pens
I can't pretend I am not excited - my first COLLAB in Tamenuri Studio - Nabi from Wet And Wise makes pens, I lacquer them ;) Nabi makes some more for mee too - check out the video.
https://youtu.be/eyyflgER-ag
Re: Urushi on fountain pens
Very nice videos.
Thank you.
I like some of the pens. I hope you continue doing others, and showwing it to us :)
Re: Urushi on fountain pens
New videos are published ;) Most recnt one - on gold, silver powders and leaves, pigments, raden and other additives to urushi.
https://youtu.be/Nrzncb4bwIw
Re: Urushi on fountain pens
Urushi can be both: very harmful or completely safe. Cured urushi, on fountain pens, kitchen utensils, lacquerware, jewellery - is safe. On the other hand raw, fresh urushi, or not cured fully can be very dangerous to some people, and for most of them harmful. The main ingredient of urushi lacquer - urushiol, responsible for its important properties (polymerisation) is a strong allergen.
About urushi rash in my newest video:
https://youtu.be/qb-UxwqIKRo
Re: Urushi on fountain pens
Tamenuri Studio - what does it mean.
If you are a geek or fountain pen lover - you know. But you can also know nothing.
Tamenuri - is a technique of lacquering with urushi, often used on fountain pens.
Studio - it is obvious.
Temneuri, or tame-nuri - “tame” means pool. “nuri” means painting/lacquering.
In this technique you lacquer the pen with solid colour, and cover it with thin layers of transparent urushi. Either clear (amber, in reality) or black transparent. Each of those layers is sanded and at least 4 of them are applied. In effect, you get a smooth surface which is thinner at every edge, corner or sharp curve (sanding!). In those thiner areas you can see underlying colour layer better. On fountain pen it is usually edge of cap and barrel, threads, and on some pens - other edges - best example is Nakaya Decapod with 10 facets and 10 edges. Tamenuri can use different underlying colours and two tamenuri layers, so you have aka-tamenuri - transparent over red (aka=red), but also kuro-tamenuri - black over red (kuro - black) and many more (heki, midori, toki etc).
Very important aspect of tamenuri is a finish - perfect gloss and shine, like a surface of still lake at a windless night. It is achieved in the process of uwazuri. And my last video is on UWAZURI. Please watch it, like it, and subscribe to support my work in promoting urushi.
https://youtu.be/cEgXNowWQ9Q
Re: Urushi on fountain pens
Mixing pigments with urushi:
https://youtu.be/asFmBtDpwAY
Re: Urushi on fountain pens
In case you missed:
1) Nanako-nuri - one of thugaru nuri techniques int he making
2) Mixing urushi with pigments
https://youtu.be/P0PEsBHKqmg
https://youtu.be/asFmBtDpwAY
Re: Urushi on fountain pens
I'm cooling down after excitement of being featured by Stephen Brown in his channel so I got back to work ;)
Montblanc Meisterstuck 149 (including Calligraphy Special Edition) in my new video.
I am lacquering three 149s with urushi right now so I decided to show the pen closer. Including a special edition with a flexible nib - Calligraphy. I compare it with 146, 144, 142 (celluloid from the 50s) and of course with the Pelikan M1000. I show how these pens write, how to take it apart, how to prepare it for lacquering with urushi, too.
In writing sequences I have a "hand doubble" ;-)
https://youtu.be/-PCuTVsra9c
Re: Urushi on fountain pens
This time just a simple procedure - sealing gold powder on Namisu Horizon Ebonite
https://youtu.be/ZO1rVYqj6FE
Re: Urushi on fountain pens
To refresh you interest ;) Sailor 1911 Large in old gold urushi ;)
https://youtu.be/I52TNqqwt4c