I have a fairly good knowledge of Ian, his work, and this current development. He has been very popular with the newer crowd of pen enthusiasts and has been selling at pen shows recently, in addition to his online stuff. Aside from the business, he is an engaging and energetic person and very easy to like.
Almost all of his early designs were small, 'pocket' pens, which doubled in length by threading the cap on the back. He favored turned metal pens and developed some very innovative anodization patterns and techniques. In the last year or two, he has also branched out into some modern plastics that are robust enough for the 'technical' style of tools, primarily Ultem. Lately, he has come out with some full-size models, which are longer but not appreciably wider in circumference.
My biggest hesitation to purchasing one had to do with the relatively narrow section, turned from metal. I'm not a fan of metal pens, certainly not sections, as they feel cold and slippery. Still, I didn't care for the dingy yellow Ultem or feel like paying that much for a black plastic pen, but last August at the SF show I figured I needed to get one because I like him and I think he is a good maker and indicator for the future of small pen makers. I purchased a longer version of the metal pens, and he had partnered with Gina Salorino to offer some nibs with a Naginata Togi grind. It isn't a pen that I reach for often, and I had an idea that would be the case. That said...
Ian Schon makes products that are *remarkably* well made, with tolerances like a good technical/scientific instrument. He has rubber o-rings sealing any area that might leak and fit and finish are second to none. I have no idea how well the new Monoc nib will write, and I hope he will be at the California pen show in LA in February so I can check them out. What I am certain of is that the production work will be top-class, and that despite a high asking price, he'll sell very well.
Here's the pen I purchased in August, I'm not certain what this color pattern was called, though it might have been "Extragalactic Green". This pen is turned from solid aluminum and all the exterior color is a very robust anodization that he does, and all indications are that it stands up to a lot of abuse. All I can say is that I wish Ian well with the new nib endeavor, and encourage people who don't know his work to check it out.
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