Great photos, Tandaina. They make me wish I had a demonstrator for the ink.
I like the ink very much. However, I think I might have been too stoked by all the close-up photographs I've seen. In real life, it's not quite as exciting once it dries. When it's wet, it's very gold, but for me it dries to a dark gray. I love the gold flecks -- they almost stand off the surface, rather than sinking into the paper -- but you don't necessarily see that unless you look very closely. I'm using mine in an inexpensive Pilot 78G with a broad nib, until I can be sure it's safe for other pens.
Great things so far about the ink: no start-up problems; nicely lubricated with this broad nib; ink flows well; ink dries quickly on the page; fun gold-to-gray effect; pretty gold flakes; flakes don't brush off with your finger. I let the pen sit overnight, and it started up perfectly. I think you get more gold flakes if you shake the pen before writing, but to test it I didn't shake the pen in the morning, and I still had gold flakes.
I think calligraphers are going to love this. I bet it would look amazing when used to address formal invitations, and for place cards and the like.
I think I may marginally prefer the original 1670 red-gold, after all, but this one seems more useable so far.
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