My lighting, phone camera, pen, and, significantly, handwriting, don't do these justice. I use Noodler's flex Pens for all my ink testing--flex writing brings out properties of inks that you don't get with normal writing--but their steel nibs, unfortunately, are slow to transition from fine to broad and they tend to gush when the tines are spread. That said, they're easy to disassemble for thorough cleaning between inks and using them frees up my FA-nibbed CH912 for more serious work.
I finally got around to trying out my sample of Ama-iro recently. I wasn't sure I'd like it but I ended up loving it so much I just picked up a bottle this weekend.
A coworker recently gifted me a bottle Eclat de Saphir that he didn't like. It's a poor shader, and can look a little too much like just another dark, almost-purple, blue ink in certain lighting, but in the right lighting it's quite lovely.
And then I did something I almost never do - I bought two bottles of inks I'd never seen in the flesh. First was Yosemite Green. This is a beautiful shade of green, with an appropriate amount of wetness and great shading.
Second was Edelstein's newest: Olivine. Online this looked like a lovely hunter green. In real life it's much more like its namesake. It's a dark, olive green with excellent (not overpowering) shading. It has a dignified, vintage look to it, if that makes sense. This might end up in my daily rotation. My only complaint is that it's drrrryyyyyy. So dry the nib feels like it's dragging along the page, rather than gliding over it. I shudder to think of how it will perform with a dry nib.
Again, apologies for the poor photographs and cringe-worthy handwriting.
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